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Tony Effe’s Sanremo 2025 performance: A night of tension and humor
In the vibrant world of Italian music, few events capture the public’s attention like the Sanremo Music Festival. This year, the spotlight shone brightly on rapper Tony Effe, who found himself at the center of a controversy that sparked both outrage and amusement.
After a tense moment involving a luxurious Tiffany&Co necklace, Effe took to the stage, showcasing his talent while navigating the complexities of festival regulations.
The necklace controversy
Before his performance, Tony Effe was informed that he could not wear his extravagant necklace, valued at a staggering 71 thousand euros.
This decision, rooted in the festival’s strict regulations against branding and advertising, left the rapper visibly frustrated. In a candid moment on Rai Radio 2, he expressed his anger, stating that the festival felt over for him at that point.
The incident highlighted the often-unseen pressures artists face when balancing personal expression with industry rules.
A performance to remember
Despite the earlier drama, Tony Effe took the stage with Noemi, delivering a captivating rendition of “Everything else is boring” by Franco Califano.
Their performance was a testament to their artistry, captivating the audience and reminding everyone why they were there in the first place. Following their act, a humorous exchange unfolded between Effe and host Carlo Conti, who attempted to lighten the mood by playfully referencing the gold mesh necklace around his neck.
This moment of levity showcased Effe’s ability to adapt and find humor even in challenging situations.
Understanding the rules
Marcello Ciannamea, the entertainment director for Prime Time Rai, clarified the rationale behind the necklace ban. He explained that artists are prohibited from associating their image with third-party brands or products during the festival.
This regulation aims to maintain the integrity of the event and ensure that it remains focused on the music rather than commercial interests. While some may view these rules as restrictive, they are designed to uphold a certain standard within the festival’s prestigious framework.
As the night progressed, Tony Effe’s initial frustration seemed to dissipate, replaced by a sense of camaraderie with the festival’s host. His parting words to Conti, “I like you,” signaled a willingness to move past the earlier incident and embrace the spirit of the festival. This blend of tension and humor encapsulated the essence of Sanremo 2025, reminding us that even in the world of high-stakes performances, there is always room for laughter and connection.
